Category Archives: News

Amy Beach Facebook Page Reaches 450 Likes and Reminder about Upcoming Beach/Carreño Coference at UNH!

Lovely to reach 450 likes just in time for Amy Beach’s birthday on September 5!  Thank you everyone for your interest and support in the life and music of the great American composer Amy Beach!

Also, REMINDER!!! 2017 Amy Beach & Teresa Carreño Conference Event at University of New Hampshire

For the 150th anniversary of Amy Beach’s birth AND the 100th anniversary of Teresa Carreño’s death this year (2017), we are collaborating with the University of New Hampshire library and archives in presenting a conference event entitled “American Women Pianist-Composers: A Celebration of Amy Beach and Teresa Carreño.” The conference event will take place on September 15 & 16, 2017 at the University of New Hampshire library.

You may learn more about the conference event by visiting the event website – http://beachcarreno2017.com/

Boston Landmarks Orchestra Will Perform “Alla Siciliana” from Amy Beach’s “Gaelic” Symphony!

On Wednesday, Aug. 9, the Boston Landmark Orchestra will perform the “Alla Siciliana” from Amy Beach’s monumental “Gaelic” Symphony at the DCR Hatch Memorial Shell in Boston.  The orchestra will be performing from our revised edition available via Women’s Philharmonic Advocacy Publications!

Maestro Christopher Wilkins describes the program here,  and details are on the orchestra’s website here.

A New CD Is Available from the American Music Recordings Collection (AMRC), Which Features Music by Five American Women Composers.

The CD album, aptly entitled “Five American Women Composers,” includes Amy Beach’s Piano Quintet in F-sharp, her anthem, “Let This Mind Be in You” and two movements from her Mass in E-flat as well as music by Ruth Crawford Seeger, Katherine K. Davis, Susan McFarland (Mrs. E. A. Pankhurst) and Sister Martha Jane Anderson.

For more information about the specific music included in this album and how to purchase, please visit the AMRC page here.

Three More Opportunities to Enjoy Amy Beach’s One-Act Opera “Cabildo,” Paired with Douglas Moore’s “Gallantry” and Performed by the Central City Opera!

Set in New Orleans, Amy Beach’s only opera recounts the legend of a French noblewoman who gives a bracelet to a pirate as a proclamation of her love. When she disappears mysteriously at sea, he is accused of her murder, imprisoned and then released in time to defend the city in the War of 1812.

This production features artists of the Bonfils-Stanton Foundation Artists Training Program and is performed in English at Williams Stables Theater in Central City.

PERFORMANCE DATES

At the Williams Stables in Central City.

The Central City Opera House
124 Eureka St.
Central City CO 80427

Only available in the Double Feature of Gallantry and Cabildo.

Evenings at 8:00 pm: July 26, 29; August 2

Tickets: $45 – Buy tickets here – https://centralcityopera.org/event/cabildo

For more in-depth information, click here.

New Article Entitled “After 123 Years, a Woman’s Symphony Returns to Center Stage” Concerning Amy Beach’s “Gaelic” Symphony Performance, Dr. Liane Curtis & Women’s Philharmonic Advocacy

In preparation for the performance of Amy Beach’s “Gaelic” Symphony in E minor, Op. 32 by the Westminster Community Orchestra in Princeton, New Jersey on Saturday, May 6 at 8 p.m., an article written by Ross Amico was released by the U.S. 1 Newspaper including various details about the composer, the work and those involved.

The author beings by establishing the historical context of the time and discussing how Amy Beach composed her Symphony based on Gaelic themes in direct response to Antonín Dvořák’s use of African-American spirituals and Native American chants and dances in his “New World Symphony.”  Amico continues by discussing the Westminster Community Orchestra and its conductor, Dr. Ruth Ochs.  Dr. Ochs is quoted in stating that she “credits [Dr.] Liane Curtis, one of the teaching fellows at Harvard, with having introduced her to a number of women composers.”  Ochs continues to mention how Dr. Curtis is the founder and president of Women’s Philharmonic Advocacy, and how we at WPA provided financial support and our new revised edition of Amy Beach’s “Gaelic” Symphony for their performance!

You may read the entire article here.

The Angeles Concerts Artists Chamber Music Series will feature works by Amy Beach, Rebecca Clarke and Samuel Barber!

The Angeles Concerts Artists Chamber Music Series will feature works by Amy Beach, Rebecca Clarke and Samuel Barber!

Their concert will take place this Sunday, May 7 at 4pm at the Dorothy Chandler Pavilion (135 N Grand Ave, Los Angeles, CA 90012). The performance includes the following:

A.BEACH – S.BARBER: SONGS FOR SOPRANO & PIANO
S.BARBER: “ADAGIO” FOR STRINGS IN B FLAT MINOR
R.CLARKE: TRIO FOR VIOLIN, CELLO & PIANO
R.CLARKE: “THREE MOVEMENTS” FOR TWO VIOLINS & PIANO
A.BEACH: PIANO QUINTET IN F SHARP MINOR OP 67

Ticket prices are $85 (student $45) for the Concert and La Conversation. For more information and to purchase tickets, please click here.

Interview with Dr. Liane Curtis in Anticipation of Upcoming Amy Beach Symphony Performance!

Our sponsor (Women’s Philharmonic Advocacy) President, Dr. Liane Curtis, is interviewed here about Amy Beach, you can listen (start at 3:20)
http://wwfm.org/post/tempo-focuses-amy-beach-anniversary…
in anticipation of the performance of Beach’s Symphony on May 7 by the Westminster Community Orchestra: Amy Beach (Princeton NJ).

You may listen to the interview here!

 

Newly Revised Editions of Amy Beach’s Invocation for Piano or Organ and Complete with Violoncello

We now have available via Women’s Philharmonic Advocacy Publications the exquisite work by Amy Beach entitled Invocation, Op. 55 complete with the obbligato violoncello part.  One edition of this work is for violin, violoncello and piano and the other for violin, violoncello and organ.  The organ part is written on 2 staves with indications for manual changes (Gt, Ch and Sw) and pedal.

For more information concerning our publications and how to acquire them, please visit our Publications Page!

“If Women Will Not Be Inclined” – Vocal music of the 19th and 20th Centuries Performed by Vertical Player Repertory

“If Women Will Not Be Inclined” – Vocal music of the 19th and 20th Centuries including songs, arias and ensembles by Lili Boulanger, Amy Beach, Pauline Viardot & Maria Malibran.

In this unique recital, the ensemble Vertical Player Repertory (https://www.facebook.com/VerticalPlayerRep/#) will pay tribute to four women composers whose genius and persistence overcame the odds: celebrated 19th opera diva sisters Maria Malibran and Pauline Viardot, American composer and concert pianist Amy Marcy Cheney Beach, and the tragically short-lived, but deeply influential Lili Boulanger.

Included in their program – courtesy of Women’s Philharmonic Advocacy‘s kind permission to use their new engraving – will be the first known public hearing of Amy Beach’s unpublished song “If Women Will Not Be Inclined.”

The recital will take place on Sunday, April 30, 2017 at 4:00pm at Behind the Door, 219 Court Street, Brooklyn, NY 11201. Admission is $20, and all proceeds will go to the Anti Violence Project.

For more info, please click here.

Richmond Philharmonic Orchestra will be playing Amy Beach’s “Gaelic” Symphony in E minor, Op. 32!

As part of their Winter Concert entitled “American Women in Music,” the Richmond Philharmonic Orchestra will be playing Beach’s “Gaelic” Symphony as well as Joan Tower’s “Made in America” and the world premiere of Elena Ruehr’s Concerto for Violin and Orchestra featuring solo violinist Irina Muresanu!

The concert will take place this weekend on Sunday, March 19, 2017 at 4:00 pm at the Paul R. Cramer Center for the Arts at The Steward School​. There will be a pre-concert talk with composer Elena Ruehr at 3:00 pm.

For more information concerning tickets, etc., please visit their website.

“Beach on the Shell: How I Changed an Icon” – Dr. Liane Curtis’ Quest to Have Amy Beach’s Name Included on Boston’s Hatch Memorial Shell

In the following article, which was originally published in 2009, you will learn how Dr. Liane Curtis, with the support of Brandeis University’s Women’s Studies Research Center, was successful in having one of Boston’s prominent female composers, Amy Beach, added to the Edward A. Hatch Memorial Shell, which up until that time included a list of all male composers. The Hatch Memorial Shell is an outdoor concert venue on the Charles River Esplanade in the Back Bay section of Boston, Massachusetts.

New Recording of Amy Beach’s Piano Concerto in C-sharp minor, Op. 45!

Released today (3/3/17) by Hyperion Records, the new album entitled The Romantic Piano Concerto ~ 70 features pianist Danny Driver and the BBC Scottish Symphony Orchestra performing three wonderful piano concerti by historic female composers! These works include the monumental Piano Concerto in C-sharp minor, Op. 45 by Amy Beach as well as the Concertstück in C sharp minor, Op. 40 by Cécile Chaminade (1857-1944) and the Piano Concerto in D minor by Dorothy Howell (1898-1982).

“Danny Driver’s expertly skilled and refined piano performances are equally matched by his sense of musical phrasing and expressive nuance throughout the contrasting light, sometimes playful passages and heavy, demanding virtuosic sections. Together with the renowned BBC Scottish Symphony Orchestra, Mr. Driver has provided us with fresh interpretations of three exquisite piano concerti by all too often neglected female composers, Amy Beach, Cécile Chaminade and Dorothy Howell.  In addition to coinciding with International Women’s Day on March 8, this 2017 release also perfectly coincides with the 150th anniversary of the birth of Amy Beach. Bravo to Mr. Driver and the BBC Scottish Symphony Orchestra for their splendid contributions!” – Chris A. Trotman (www.amybeach.org)

The CD and MP3 album are available via Hyperion Records. The MP3 album is also available on iTunes!

Women’s Philharmonic Advocacy Spring 2017 Performance Grants applications are now being accepted!!

Recent events, such as the January 21 Women’s March, reveal a growing awareness of women as targets of abuse and inequality. As women (and men) rise up to fight these injustices, it is also time for the symphonic world to examine and revise the practices of systematically excluding music composed by women.

We at Women’s Philharmonic Advocacy (WPA) offer our performance grants to help orchestras address this situation and strive for programming that is vital, diverse and inclusive.

Applications are now being accepted for our Spring 2017 Performance Grants, with awards of $500 to $1000 available to all U.S. orchestras. The deadline is March 10 and the application form is available here. Applicants will receive notification of their status on March 31, and checks are mailed to successful applicants within two weeks.

Grants awarded in the Spring 2017 cycle will be for performances from June 1, 2017 to August 31, 2019 — the idea being to allow (and encourage) planning two seasons ahead (even for summer festivals). We plan to continue offering our grants in both the Spring and Fall in order to accommodate the planning processes of more ensembles.

Women’s Philharmonic Advocacy is a non-profit organization founded to continue the legacy of The Women’s Philharmonic (1980-2004). Committed to honoring and advocating for the work of historic and contemporary women composers, our Performance Grants are central to our mission. We promote the performance of unjustly neglected music and encourage orchestras to engage in adventurous and inclusive programming beyond the familiar masterpieces.

All U.S. orchestras – community, professional, and youth – are eligible to receive funding. We suggest that applicants plan to perform more than one work by a woman, and include at least one historic work. Repertoire suggestions are here, including links to music publishers and recordings.

As orchestras strive to invigorate audiences and reinforce the continued relevance and value of the symphonic tradition, WPA hopes to help ensembles broaden their programming and present concerts more reflective of the rich and diverse history of classical music. There are countless underperformed musical treasures deserving to be heard in concert halls.

Find more information and the online application at www.wophil.org/grants. Contact grants@wophil.org with any questions you may have. We look forward to receiving your application, and we wish your orchestra great success in making future discoveries!

In addition to our performance grants, we have another great piece of news! WPA is launching a music publishing project: Women’s Philharmonic Advocacy Publications will help make more music accessible and available through carefully edited and affordable orchestral scores and parts. On our website (under the “Repertoire” link), we are offering performance materials by composers including Amy Beach, Marion Bauer, Rebecca Clarke, and Elfrida Andrée.

Society of American Music 43rd (2017) Conference Will Include a Performance of Amy Beach’s Violin Sonata, Op. 34!

For the first time in its history, SAM heads north of the border to La Belle Province for the 43rd annual conference.  Hosted by McGill University, the SAM conference will take place on March 22-26, 2017 in Montréal at the Marriott Chateau Champlain (1050 de la Gauchetiere West, Montreal Quebec H3B 4C9).

On Thursday afternoon (March 23), violinist Katharina Uhde and pianist R. Larry Todd will perform Amy Beach’s Violin Sonata in A minor, op. 34, and discuss its “methods peculiar to Brahms.”

For more information concerning hotel info, room rates/reservations, travel info, etc., please click here.

London based orchestra will be performing Amy Beach’s Gaelic Symphony!!

Formed in 2009, Harmony Sinfonia is a vibrant symphony orchestra performing three or four concerts a year and promoting classical music to audiences in south-east London. The concert will take place on 4 March 2017 and is generously supported by the Ambache Charitable Trust, an organisation that raises the profile of music by women. More specific information including the full program, location and pricing is included in the attached flyer.

For more information, please visit their website here.

2017 Amy Beach & Teresa Carreño Conference Event at University of New Hampshire

For the 150th anniversary of Amy Beach’s birth AND the 100th anniversary of Teresa Carreño’s death this year (2017), we are collaborating with the University of New Hampshire library and archives in presenting a conference event entitled “American Women Pianist-Composers: A Celebration of Amy Beach and Teresa Carreño.” The conference event will take place on September 15 & 16, 2017 at the University of New Hampshire library.

A call for papers for this event has been issued, and the deadline for submissions is April 1, 2017. You may learn more about the conference event and the parameters for paper submissions by visiting the event website here.

unh-conference-event

The Dallas Opera will be featuring tenor, Michael Fabiano, in a program including works by Amy Beach and others.

The Dallas Opera will be featuring tenor, Michael Fabiano, in a program including works by AMY BEACH, Franz Liszt, Henri Duparc and Giacomo Puccini.

The recital, which is a part of the Robert E. and Jean Ann Titus Art Song Recital Series and produced by The Dallas Opera, will take place on Sunday, January 22, 2017 at 2:00 p.m. in Dallas City Performance Hall (a 749-seat venue located at 2520 Flora Street-across the street from the Winspear Opera House-in the Arts District, Dallas, TX 75201).

Tickets are now on sale for $15 and $25 and may be purchased at www.dallasopera.org or by contacting the friendly professionals in The Dallas Opera Ticket/Patron Services Office at 214.443.1000.

For more information, click here.

2017 Amy Beach & Teresa Carreño Conference Event at University of New Hampshire

For the 150th anniversary of Amy Beach’s birth AND the 100th anniversary of Teresa Carreño’s death this next year (2017), we are collaborating with the University of New Hampshire library and archives in presenting a conference event entitled “American Women Pianist-Composers: A Celebration of Amy Beach and Teresa Carreño.” The conference event will take place on September 15 & 16, 2017 at the University of New Hampshire library.

A call for papers for this event has been issued, and the deadline for submissions is April 1, 2017. You may learn more about the conference event and the parameters for paper submissions by visiting the event website here.

unh-conference-event

Performance Grants Available for Ensembles Programming Orchestral Works by Women

In an effort to support and promote performances of orchestral works by historical women composers, like Amy Beach, as well as contemporary female composers, Women’s Philharmonic Advocacy is offering Performance Grants again this year! Apply by Oct. 14.
Press-release: http://www.wophil.org/press-release-re-performance-grants-2016/
Grants page — http://www.wophil.org/grants/

Awards of $500 to $1000 available to all U.S. orchestras. The goal of these grants is to influence future programming; thus funding awarded in the Fall 2016 cycle must be utilized in the 2017 and/or 2018 calendar years.

Women’s Philharmonic Advocacy is a non-profit organization founded to continue the legacy of The Women’s Philharmonic (1980-2004). Committed to honoring and advocating for the work of historic and contemporary women composers, our Performance Grants are central to our mission. We promote the performance of unjustly neglected music and encourage orchestras to engage in adventurous and inclusive programming.

wpa-performance-grants-pic

HAPPY 149TH BIRTHDAY, AMY BEACH!

Interest continues to build in the music of the exceptionally talented American pianist and composer, Amy Beach. Some exciting additions in the areas of music scholarship and publications concerning Amy Beach have been recently released just in time for her birthday!

(1) Published in May 2016 in the Journal of the Society for American Music (volume 10, issue 2, May 2016, pp. 149-180), musicologist Dr. Sarah Gerk’s article entitled “‘Common Joys, Sorrows, Adventures, and Struggles’: Transnational Encounters in Amy Beach’s ‘Gaelic’ Symphony” discusses Amy Beach’s conscious blending of multiple streams of influence – that of Irish folk tunes and American nationalistic styles at the end of the 19th century.

2) Our Amy Beach website (www.amybeach.org) sponsor, Women’s Philharmonic Advocacy (WPA), is launching a music publishing project: Women’s Philharmonic Advocacy Publications will help make more music accessible and available through carefully edited and affordable orchestral scores and parts. On the New Publications page of our website, www.wophil.org/publications/, we will be offering performance materials by Amy Beach as well as other female composers including Elfrida Andree, Marion Bauer, Rebecca Clarke and Vítězslava Kaprálová.  AND in honor of Amy Beach’s birthday (September 5) and her 150th anniversary next year (2017), we are offering our new edition of her Symphony in E minor, Op. 32, “Gaelic” (1896), edited and engraved by our Director of Music Publications, Chris A. Trotman.  In celebration of this exciting new venture, we are happy to make the score available (in PDF format) free of charge through September 2016.  Additional WPA editions of Amy Beach’s music may be found on our Amy Beach website – www.amybeach.org/music/publications/.  Please contact us at info@wophil.org if you would like a free PDF copy of the Gaelic Symphony score as well as if you would like more information or are interested in renting or purchasing any of the Amy Beach series selections!

WPA Publications Logo - publications url

MORE GOOD NEWS!! Women’s Philharmonic Advocacy (WPA) is happy to announce our 2016 Performance Grants, with awards of $500 to $1000 available to all U.S. orchestras. The Performance Grants promote the performance of unjustly neglected music by women and encourage orchestras to engage in adventurous and inclusive programming beyond the usual masterpieces. Recognizing that new or unusual repertoire often means additional costs for ensembles, WPA established our Performance Grants (in 2012) to help overcome this obstacle to performing works by women.  All U.S. orchestras – community, professional, and youth – are eligible to receive funding.  We suggest that applicants plan to perform more than one work by a woman, and include at least one historic work. The deadline is October 14, and the application form (and materials including repertoire ideas) is available on our website (http://www.wophil.org/grants/).  Decisions will be announced November 14.  The goal of these grants is to influence future programming; thus funding awarded in the Fall 2016 cycle must be utilized in the 2017 and/or 2018 calendar years.  Additionally, beginning in 2017, we will be offering our Grants twice a year.  The Spring 2017 grant cycle, intended to support performances occurring between June 1, 2017 and August 31, 2019, will begin receiving applications in January with applications due in late February.  Decisions will be announced on March 31.  We hope that this will accommodate the planning processes of more ensembles. APPLY TODAY!

Missing Pieces: Celebrating Women of Note

Acclaimed violin and piano duo Sophia Bartlette and Amoret Abis return for their third Brighton Fringe recital to celebrate women composers. The programme will consist of an exciting, eclectic mix of genres and great works, such as AMY BEACH’s “Romance, Op. 23” and “Invocation, Op. 55,” Rebecca Clarke‘s “Midsummer Moon” and “Lullaby” as well as works by Clara Schumann, Cécile Chaminade, Ann Bartholomew, Ethel Barns and Lili Boulanger!

The event will take place on 14 May at 17:00 at Roedean Chapel,
Roedean School, Roedean Way, Brighton, East Sussex,
BN2 5RQ and tickets are £10 (£7.50).

https://www.brightonfringe.org/…/missing-pieces-celebrating…

ALSO, a shorter concert by the same duo and consisting of much of the same music will take place twice at 2 venues in Edinburgh as part of Edinburgh Festival Fringe:

St Andrew’s and St George’s West Church, Edinburgh
13 George Street, Edinburgh, EH2 2PA on Tue 16 Aug (19:30 – 20:30). Ticket info: £7.50 (£5) / 0131 225 3847

Stockbridge Parish Church, Edinburgh
7b Saxe Coburg Street, Edinburgh, EH3 5BN on Sun 14 Aug (16:00 – 17:00). Ticket info: £7.50 (£5) / 0131 332 0122

https://edinburghfestival.list.co.uk/…/590904-missing-piec…/

Sophia Bartlette

Portland, Maine Based Piano Trio Will Present Fundraising Concert Including Piano Trios by Amy Beach, Haydn and Shostakovich!

A Portland, Maine based Piano Trio will be presenting a fundraising house concert to support their non-profit music instructional organization called 240 Strings. The program will include the piano trios of AMY BEACH, Op. 151, as well as Haydn and Shostakovich, which will be followed by wine and dessert in the moonlit courtyard.

The concert will take place on Thursday, July 7, 2016 at 7:00pm and 9:30pm in the historic Freeport home of Maddy & Joe Vertenten in Freeport, ME, United States. Tickets are $80.

All proceeds will benefit the trio’s educational program, 240 Strings. 240 Strings builds community for Portland youth by providing subsidized music lessons, chamber music coachings and affordable concerts. The trio received 501c3 status this spring, and with your help, they look forward to growing their programs.

For more information, click here.

Pianist Anastasia Antonacos plays in her Portland home on June 27. Antonacos and two other classical musicians, Tracey Jasas-Hardel and Ben Noyes, make up the Portland Piano Trio. They have formed the organization 240 Strings, which will provide free lessons to children who otherwise could not afford them.
Pianist Anastasia Antonacos plays in her Portland home on June 27. Antonacos and two other classical musicians, Tracey Jasas-Hardel and Ben Noyes, make up the Portland Piano Trio. They have formed the organization 240 Strings, which will provide free lessons to children who otherwise could not afford them.

Chintimini Chamber Music Festival Concert Will Feature Songs by Amy Beach, As Well As Works by Rebecca Clarke, Mozart, Beethoven, Schubert & Kerry Turner.

Chintimini Chamber Music Festival concert will feature songs, “Chanson d’amour” (1898), Op. 21, No. 1, “A Mirage” (1877), Op. 100, No. 1 & “June” (1903), Op. 51, No. 3 by AMY BEACH, as well as works by Rebecca Clarke, Mozart, Beethoven, Schubert & Kerry Turner. The Festival Concert will take place tomorrow, Friday, June 24, 7:30 pm at First Congregational United Church of Christ, 4515 SW West Hills Rd, Corvallis, OR 97333.

Tickets – ADULT ADMISSION: Single concert $24, Season Tickets (all 5 concerts): $95; STUDENTS (Current High School & College) Free with ID. No ticket needed; YOUNGER STUDENTS Free, accompanied by an adult. No ticket needed for the student.

For more information, click here.

Chintimini Chamber Music Festival 2016

Bar Harbor Music Festival concert will include AMY BEACH’s Piano Trio, Op. 150 and works by other women composers!

Pianist Margaret Mills (pictured below), who spearheaded the festival’s New Composers Concerts from 1990-2006, is joining the festival’s 50th Anniversary Celebration with a program featuring the women composers Ruth Schonthal, Miriam Gideon and Amy Beach. Violinist Jeffrey Ellenberger and cellist Robert Tennen will collaborate with Mills in Beach’s Piano Trio, opus 150.

This special “musical reunion” concert will be on Saturday, July 23, at 8 p.m. at the Bar Harbor Congregational Church, 29 Mount Desert Street, Bar Harbor, ME 04609. Tickets are $25 and student tickets are $15.

For more information, click here.

Mills Margaret - Bar Harbor Music Festival

Worcester Chamber Music Society Will Play Beach Flute Quintet & Brahms String Quartet

An Encore Presentation – Annual Free Senior Concert by the Worcester Chamber Music Society

The event, which is an encore presentation from Season 10, is open to senior citizens throughout Worcester County and will take place on Thursday, June 9 7:15 PM at The Willows at Worcester (101 Barry Road, Worcester, MA). The program will include AMY BEACH’s Theme and Variations for Flute and Strings, Op. 80 & a Brahms String Quartet.

Adults $27, Seniors Free Admission. Reservations recommended, limited seating. Call 508-217-4450 ext. 1 or email tracy@worcesterchambermusic.org.

For more information, click here.

Worcester Chamber Music Society

Orion Ensemble to Conclude Season with Amy Beach’s Piano Quintet in F-sharp minor, Op. 67 as well as works by Dvořák and Brahms

The Orion Ensemble, winner of the prestigious Chamber Music America/ASCAP Award for Adventurous Programming, concludes its 2015-16 season with “Musical Enchantments,” welcoming back guest violinist Mathias Tacke, former second violinist of the Vermeer Quartet, and violist Stephen Boe.

Performances take place Sunday, May 29 at 7 p.m. at First Baptist Church of Geneva, 2300 South Street in Geneva, IL; Wednesday, June 1 at 7:30 p.m. (with the CYSO’s Millennium Winds) at the Pianoforte Studios, 1335 S. Michigan Avenue in Chicago; and Sunday, June 5 at 7:30 p.m. at Music Institute of Chicago’s Nichols Concert Hall, 1490 Chicago Avenue in Evanston.

Single tickets are $26, $23 for seniors and $10 for students; admission is free for children 12 and younger. A four-ticket flexible subscription provides a 10 percent savings on full-priced tickets. For tickets or more information, call 630-628-9591 or visit orionensemble.org. You may also find more information here.

Orion Ensemble