It’s rare that a major piece of Beach scholarship comes along, one that enriches our understanding of the composer with a vast amount of insightful detail and perception. The Cambridge Companion to Amy Beach is a newly published volume that will be essential reading for a wide range of music lovers.
Edited by distinguished scholar E. Douglas Bomberger, here is the volume’s Table of Contents
Part I. Historical Context:
- Between composer’s desk and piano bench: Amy Beach’s life and works — E. Douglas Bomberger
- Amy Beach and the women’s club movement — Marian Wilson Kimber
- ‘A reality of glorious attainment’: Amy Beach’s Macdowell colony — Robin Rausch
- Amy Beach and her publishers — Bill F. Faucett
Part II. Profiles of the Music:
- Amy Beach’s keyboard music — Kirsten Johnson
- Songs of Amy Beach — Katherine Kelton
- ‘Worthy of serious attention’: the chamber music of Amy Beach — R. Larry Todd
- The power of song in Beach’s orchestral works — Douglas W. Shadle
- Choral music — Matthew Phelps
- Beach’s dramatic works — Nicole Powlison
Part III. Reception:
- Phoenix redivivus: Beach’s posthumous reception — E. Douglas Bomberger.