The following tables include the (1) Chamber, (2) Keyboard, (3) Orchestral, (4) Vocal, (5) Vocal-Chamber and (6) Vocal-Orchestral editions currently available or soon to be available via Women’s Philharmonic Advocacy Publications. For more info and samples of select publications, simply click on the publication titles that are links in the tables below.
Our Director of Music Publications and Editor-in-Chief of the Amy Beach Project, Chris A. Trotman, is responsible for the editing, in some cases transcribing and/or orchestrating, and engraving of all the following editions unless otherwise noted. The revised editions were carefully edited using manuscript sources and are complete with editorial documents, such as a preface, editorial policy, list of sources and critical report. Furthermore, the Amy Beach Project is in cooperation with Amy Beach’s estate executor, The MacDowell Colony.
For more information about acquiring digital (PDF) perusal orchestral scores, renting and purchasing these editions, please contact us using our contact form. Below is more info and stipulations about our orchestral publications:
- A print or digital (PDF) orchestral score may be purchased for a specific price depending on the length of each respective work. We do not rent scores. We require a completed Digital Contract for all digital edition materials, and a link will be provided during correspondence.
- It is assumed that if an ensemble requests a gratis perusal orchestral score or purchases a score and later decides to program the work, the ensemble will also purchase our matching orchestral parts. Likewise, if the gratis perusal score is to be used in performance, the ensemble or conductor will be responsible for paying the purchase fee.
- The pricing of our orchestral parts is determined by a sliding scale based on the League of American Orchestras group sizes, and we offer discounted prices for youth and community/amateur orchestras and an additional discount if no admission is charged for your concert(s). We strive to make this wonderful music as accessible as possible for ensembles of all sizes! Our standard string count is 188.8.131.52.4, and additional print string parts are an additional fee per part (this amount varies depending on the length of each publication). Our rental contract is for 3 months with a 2 week period following your concert(s) to return the materials, and we are happy to include extra string parts at no additional cost for rental. Finally, as with the score, we offer the parts in digital (PDF) format for self-printing. Again this option is cheaper than both print purchase and rental, and an ensemble would be free to print as many copies as are needed for its concert(s). When contacting us about the rental/purchase of our orchestral parts, please provide the ensemble type and whether or not admission is charged for concerts.
|15/3 & 90/1||XII||Two Pieces for Violoncello and Piano (or Organ) - Dreaming & Pastorale||critical edition of piano/organ score and part||Dreaming - vc and pno. Pastorale - vc and org/pno (written on 2 staves with indications for Ch, Sw and Ped / indications for Sostenuto Ped and when to replay bass octave notes for pno)|
|22||V||Bal Masqué for String Quartet||transcription of solo piano work for string quartet||string quartet (2 vln, vla and vc) - score also available|
|23||VII||Romance for String Quartet||transcription of solo violin and piano work for string quartet (vln I solo)||string quartet (2 vln, vla and vc) - score also available|
|55||VIII-a||Invocation for Violin, Violoncello and Piano||edition of piano score and parts||vln, vc and pno|
|55||VIII-b||Invocation for Violin, Violoncello and Organ||edition of organ score and parts||vln, vc and org (written on 2 staves with indications for Gt, Ch, Sw and Ped)|
|90/1 & 2||XI||Two Pieces for Flute, Violoncello and Piano - Pastorale & Caprice, "Water-Sprites"||critical edition of piano score and parts||fl, vc and pno|
|92/1 & 2||XVI||A Hermit Thrush at Eve and Morn for Flute and Piano||transcription of solo piano works for flute and piano||fl and pno|
|—||XVIII||Juvenile Piano Works||Coming soon! - critical edition of the following juvenile piano works: Air & Variations (1877), Mamma's Waltz (1877), Menuetto (1877), Moderato (c. 1877-78; small portion of one measure missing and completed by Chris A. Trotman), Romanza (1877) & Petite valse (1878)||pno|
|43/4, 76/2 &|
|XVII||Late Piano Works||Coming soon! - critical edition of the following unpublished late piano works: Far Awa', Op. 43, no. 4 (1936), The Lotos Isles, Op. 76, no. 2 (c.1930), The Water-Sprites, Op. 90, no. 2 (c.1921) & A September Forest (1930)||pno|
|43/4 & 91||XIX||Two Pieces for Organ: Far Awa' & Prelude on an Old Folk Tune||Coming soon! - critical edition of the following two organ works: the unpublished arrangement for organ made by Beach in 1936 of her song "Far Awa'" and the out of print organ work entitled "Prelude on an Old Folk Tune" (a revised work by Beach based on her Op. 91 solo piano work "The Fair Hills of Eiré, O!")||org|
(see also Vocal-Orchestral Publications)
|22||IV||Bal Masqué for Orchestra||critical edition of orchestral score and parts (in modern transpositions) of Amy Beach's own orchestration of her solo piano work||picc, 2 fl (fl. II/picc), 2 ob, 2 cl in A (Bb available), 2 bsn, 4 hn, 2 tpt (Bb), glockenspiel, timpani, triangle (requires 3 percussion players, one for each part), harp and strings|
|22||II||Bal Masqué for Chamber Orchestra||orchestration of solo piano work for chamber orchestra||2 fl, 2 ob, 2 cl (Bb), 2 bsn, 2 hn, triangle, timpani and strings|
|22||VI||Bal Masqué for String Orchestra||orchestration of solo piano work for string orchestra||strings (vln I, vln II, vla, vc and cb)|
|23||III||Romance for Violin, Harp and String Orchestra||orchestration of solo violin and piano work||solo vln, harp and strings|
|32||I||"Gaelic" Symphony in E minor||critical edition of orchestral score and parts (in modern transpositions)||picc, 2 fl, 2 ob, cor anglais, 2 cl (A and Bb needed), b cl (Bb), 2 bsn, 4 hn, 2 tpt (Bb & C - not sold separately; see policy), 2 tbn, b tbn, tba, triangle, timpani and strings|
|32||I-a||"Gaelic" Symphony in E minor - II. Alla Siciliana||critical edition of orchestral score and parts (in modern transpositions) of second movement||picc, 2 fl, 2 ob, cor anglais, 2 cl (Bb), 2 bsn, 4 hn, triangle, timpani and strings|
|17||XXIII||Festival Jubilate for Chorus & Piano||critical edition of choral/piano score (orchestral reduction)||SSATTB & pno (orch reduction)|
|—||X||Song Album - "If Women Will Not Be Inclined" and "Sympathy"||critical editions of vocal/piano scores (more songs to come!)||voice (treble clef) and pno|
|5||XIV||Grand Mass in E-flat: Kyrie for Choir & String Quartet||original vocal parts with transcription of orchestral accompaniment for string quartet||SATB and string quartet (2 vln, vla and vc) - score also available|
|17||XXII||Festival Jubilate: Cantata for Chorus, Piano, Timpani & String Quintet (text of Psalm 100)||original vocal parts and piano reduction, with orchestral timpani and string parts||SSATTB, pno (orch reduction), timpani & strings (Vln I & II, Vla, Vc & Cb)|
|44/1||XXVIII||The Year's at the Spring: Song for Soprano, Piano & String Orchestra (Robert Browning)||orchestrated edition of song for soprano and piano||sop solo, pno and strings|
|44/2||XXIX||Ah, Love, but a day!: Song for Soprano, Piano & String Orchestra (Robert Browning)||orchestrated edition of song for soprano and piano||sop solo, pno and strings|
|5||XV||Grand Mass in E-flat||Coming soon! - we will be distributing this performance edition of vocal/orchestral score and parts by Dr. Paula Ring Zerkle of Moravian College||2 fl, 2 ob (2nd also E. hn), 2 cl, 2 bsn, 4 hn, 3 tpt, 3 tbn, timpani, org, hp, sop solo, alt solo, ten solo, bass solo, SATB chorus and strings|
|17||XXIV||Festival Jubilate: Cantata for SATB Chorus and Orchestra||Coming soon! - critical edition of orchestral score and parts||2 fl, 2 ob, 2 cl (A), 2 bsn (+ cbn), 4 hn, 2 tpt, 2 tbn, b. tbn, tba, timpani, hp, SSATTB chorus and strings|
|18||XIII||Maria Stuart: Scena and Aria for Alto and Orchestra (Eilende Wolken, Segler der Lüfte or Wand'ring Clouds, sail through the air) (text by Friedrich Schiller)||critical edition of orchestral score and parts||2 fl, 2 ob, 2 cl (A), 2 bsn, 4 hn, 2 tpt (F - modern transpositions in C & Bb), 2 tbn, b. tbn, timpani, alt solo and strings|
|21/2||XXV||Extase: Song for Soprano and Orchestra (Victor Hugo)||critical edition of orchestral score and parts||2 fl, 2 ob, 2 cl (A), 2 bsn, 4 hn, hp, sop solo and strings|
|30||IX||The Rose of Avontown: Ballad for Female Voices and Orchestra (Caroline Mischka)||critical edition of orchestral score and parts||2 fl, 1 ob, 2 cl (Bb), 2 bsn, 2 hn, timpani, sop solo, sop I, sop II, alt I, alt II and strings|
|44/1||XXVI||The Year's at the Spring: Song for Soprano & Orchestra (Robert Browning)||Coming soon! - orchestrated edition of song for soprano and piano||2 fl, 2 ob, 2 cl (A), 2 bsn, 2 hn, hp, sop solo and strings|
|44/2||XXVII||Ah, Love, but a day!: Song for Soprano & Orchestra (Robert Browning)||Coming soon! - orchestrated edition of song for soprano and piano||2 fl, 2 ob, 2 cl (A), 2 bsn, 2 hn, hp, sop solo and strings|
|53||XXI||Jephthah's Daughter: Aria for Soprano and Orchestra (La fille de Jephté - French text by C. L. Mollevant)||critical edition of orchestral score and parts||2 fl, 1 ob, 2 cl (A), 2 bsn, 4 hn, 2 tpt (F - modern transpositions of C & Bb), 2 tbn, b. tbn, tba, timpani, hp, sop solo and strings|