Category Archives: Newly Available Music Editions

Newly Revised Editions of Amy Beach’s Invocation for Piano or Organ and Complete with Violoncello

We now have available via Women’s Philharmonic Advocacy Publications the exquisite work by Amy Beach entitled Invocation, Op. 55 complete with the obbligato violoncello part.  One edition of this work is for violin, violoncello and piano and the other for violin, violoncello and organ.  The organ part is written on 2 staves with indications for manual changes (Gt, Ch and Sw) and pedal.

For more information concerning our publications and how to acquire them, please visit our Publications Page!

“If Women Will Not Be Inclined” – Vocal music of the 19th and 20th Centuries Performed by Vertical Player Repertory

“If Women Will Not Be Inclined” – Vocal music of the 19th and 20th Centuries including songs, arias and ensembles by Lili Boulanger, Amy Beach, Pauline Viardot & Maria Malibran.

In this unique recital, the ensemble Vertical Player Repertory ( will pay tribute to four women composers whose genius and persistence overcame the odds: celebrated 19th opera diva sisters Maria Malibran and Pauline Viardot, American composer and concert pianist Amy Marcy Cheney Beach, and the tragically short-lived, but deeply influential Lili Boulanger.

Included in their program – courtesy of Women’s Philharmonic Advocacy‘s kind permission to use their new engraving – will be the first known public hearing of Amy Beach’s unpublished song “If Women Will Not Be Inclined.”

The recital will take place on Sunday, April 30, 2017 at 4:00pm at Behind the Door, 219 Court Street, Brooklyn, NY 11201. Admission is $20, and all proceeds will go to the Anti Violence Project.

For more info, please click here.


Interest continues to build in the music of the exceptionally talented American pianist and composer, Amy Beach. Some exciting additions in the areas of music scholarship and publications concerning Amy Beach have been recently released just in time for her birthday!

(1) Published in May 2016 in the Journal of the Society for American Music (volume 10, issue 2, May 2016, pp. 149-180), musicologist Dr. Sarah Gerk’s article entitled “‘Common Joys, Sorrows, Adventures, and Struggles’: Transnational Encounters in Amy Beach’s ‘Gaelic’ Symphony” discusses Amy Beach’s conscious blending of multiple streams of influence – that of Irish folk tunes and American nationalistic styles at the end of the 19th century.

2) Our Amy Beach website ( sponsor, Women’s Philharmonic Advocacy (WPA), is launching a music publishing project: Women’s Philharmonic Advocacy Publications will help make more music accessible and available through carefully edited and affordable orchestral scores and parts. On the New Publications page of our website,, we will be offering performance materials by Amy Beach as well as other female composers including Elfrida Andree, Marion Bauer, Rebecca Clarke and Vítězslava Kaprálová.  AND in honor of Amy Beach’s birthday (September 5) and her 150th anniversary next year (2017), we are offering our new edition of her Symphony in E minor, Op. 32, “Gaelic” (1896), edited and engraved by our Director of Music Publications, Chris A. Trotman.  In celebration of this exciting new venture, we are happy to make the score available (in PDF format) free of charge through September 2016.  Additional WPA editions of Amy Beach’s music may be found on our Amy Beach website –  Please contact us at if you would like a free PDF copy of the Gaelic Symphony score as well as if you would like more information or are interested in renting or purchasing any of the Amy Beach series selections!

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MORE GOOD NEWS!! Women’s Philharmonic Advocacy (WPA) is happy to announce our 2016 Performance Grants, with awards of $500 to $1000 available to all U.S. orchestras. The Performance Grants promote the performance of unjustly neglected music by women and encourage orchestras to engage in adventurous and inclusive programming beyond the usual masterpieces. Recognizing that new or unusual repertoire often means additional costs for ensembles, WPA established our Performance Grants (in 2012) to help overcome this obstacle to performing works by women.  All U.S. orchestras – community, professional, and youth – are eligible to receive funding.  We suggest that applicants plan to perform more than one work by a woman, and include at least one historic work. The deadline is October 14, and the application form (and materials including repertoire ideas) is available on our website (  Decisions will be announced November 14.  The goal of these grants is to influence future programming; thus funding awarded in the Fall 2016 cycle must be utilized in the 2017 and/or 2018 calendar years.  Additionally, beginning in 2017, we will be offering our Grants twice a year.  The Spring 2017 grant cycle, intended to support performances occurring between June 1, 2017 and August 31, 2019, will begin receiving applications in January with applications due in late February.  Decisions will be announced on March 31.  We hope that this will accommodate the planning processes of more ensembles. APPLY TODAY!